Five Common Dialogue Mistakes Writers Make


Five Common Dialogue Mistakes Writers Make. Article by Amor Libris (Kelly Hartigan) of XterraWeb.

Tips to create better dialogue in fiction writing. Five positive dialogue traits. Five negative dialogue traits. Article by Kelly Hartigan (Amor Libris) of XterraWeb.

Dialogue is an important piece of fiction writing. Whether you enjoy writing dialogue or struggle with it, you’ll need it and it will need to be written as well as your narrative.

Dialogue does more than relay a conversation in fiction. Dialogue can:

  • Show readers your character’s personality.
  • Make your characters feel more real and genuine.
  • Help with the flow of your story.
  • Move the plot of your story forward.
  • Add to the action of your story and hint at what is to come.

Dialogue is easy to read and breaks up your narrative, which helps with the flow of your story. Dialogue can speed up or slow down the pacing of your story. It can pull readers deeper into your story by showing readers more about your characters and the plot, but it needs to be written well.

It can be easy to make mistakes with your dialogue that will have the reverse effect on readers and "pull" them out of your story.

Watch for these common mistakes when writing dialogue.

1. Every character sounds the same.
In the real world, everyone speaks differently. We all have certain words we use or avoid. Some of us are more polite than others. Some of us talk more than others. Some of us speak eloquently and some speak awkwardly. Some of us use longer and more complicated words than others.

This should also be seen with your characters’ dialogue. Making each character sound differently will make them seem more "real" and help show their personalities.

2. Too much detail in the narrative.
Don’t assume that your readers won’t understand your dialogue and you need to "explain" it to them. When you spell out the details, it can be annoying to readers. Readers can pick up on the cues and understand subtext.

Example: "You’re lying to me again!" Holly threw the flowers on the floor and stomped on them. Holly was enraged and sick of Justin’s constant lying.

The last sentence isn’t necessary. Readers know from what Holly said ("You’re lying to me again!") and Holly’s actions (Holly threw the flowers on the floor and stomped on them.) that she is more than upset, and we can guess that Justin has lied to her more than once.

3. Using perfect grammar.
Everyone doesn’t speak with perfect grammar, and your characters shouldn’t either. If it fits the character, then by all means, have them speak that way. However, most people don’t, and if every character speaks with perfect grammar, they all start to sound the same and may come across to readers as being stiff, formal, and pretentious.

It’s okay to have characters say things without perfect grammar.

Example 1: "Me and John went to the movies." vs. "John and I went to the movies."

Example 2: "I’m gonna go to the mall." vs. "I’m going to the mall."

4. Dialogue tags that interfere with flow.
The common dialogue tags are said, asked, and answered. Readers are familiar with seeing these dialogue tags and they don’t stand out. Some writers think the common dialogue tags are boring and they try to spice things up by using different words. This often has the opposite affect and can "pull" readers from the story.

It’s okay to occasionally use a different dialogue tag like whispered, mumbled, bellowed, retorted, or shouted, but try to avoid varying dialogue tags too much. If dialogue tags are too varied, the dialogue tag may receive more focus from the reader than what the character is saying (the part we want them to pay attention to).

Sometimes writers use other dialogue tags because they believe every line of dialogue must have a dialogue tag. This isn’t true. If it is clear who the speaker is, a dialogue tag isn’t always necessary. Another alternative is to use an action beat with the dialogue.

Example: Mark ran into the kitchen. "I can’t find my phone anywhere."

5. Making dialogue too "real."
While dialogue should sound as "real" as possible, sometimes writers go overboard. This is typically seen with too many interruptions in dialogue and too many lines of dialogue in which the character trails off.

Example: "Well, um, I’m not totally sure … Um, actually, I think I’m going to—you know what, I think I will go with you."

While people often do speak this way, showing this too often in dialogue can "pull" readers from the story and make them wonder if your characters are always nervous, lying, or indecisive.

Dialogue can also be made too real with the use of phonetic spellings. Yes, everyone doesn’t pronounce words the same way. Yes, phonetic spelling can give readers an idea of where a character lives, what type of accent a character has, or a character’s education level. However, doing this too often can make it difficult for readers to follow and understand dialogue. Even worse, there is the potential risk of offending readers who might think you are insulting a particular class background, region, or race.

It is better to use fewer instances of phonetic spellings and occasionally use an unusual word order or dialect word to indicate a character’s speech patterns.

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Hi Kelly. Great post.
I’ve broken the secret code of trying every possible way of getting in, so on the offchance that this comment disappears I’ll use my standard failsafe and copy it before posting.
This is a good, straightforward post with some common sense tips. I’m a great believer in the use of ‘said’, ‘asked’, ‘murmured’, ‘whispered’ and ‘cried’, but beyond that I don’t usually go. My pet hate is when I see the tags with ‘ly’ endings. I’ll say no more on that one, he said, thoughtfully.
I also like to break up the perfectly spoken dialogue, otherwise the characters all sound as if English is their second language, or they’re reading it from a phrasebook.
I’ll now celebrate getting as far as this comment by suddenly stopping.

Thanks for this post, some really useful tips and advice (think I’ve managed to sus the login problems now).

[…] Five common dialogue mistakes writers make & how to avoid them. Write well-written dialogue that sounds real. Dialogue tags. Move plot forward with dialogue.  […]

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You NAILED this! Too much detail in the narrative is a huge one and if all the other issues you mentioned are done correctly all the detail is not necessary!

This is great info for writer’s especially for anyone that is just delving into the writing world.

Thank you for your visit and your kind words, Jill.

Character voice is the usual stick to threaten writers.
As consolation, pickup a million seller, like Robert Jordan (one of my fav.) and seriously analyze hís dialogues. No one complained. Close your eyes, and folow irl dialogues, one can clearly describe the differences, but repeating them becomes boring.

What I miss, is irl another aspect of conversation has to be taken into account, the non-verbal communication. Try to translate THAT into realistic lines.

Great post.
I totally agree that dialogues should sound natural instead of being stiff with writing rules.
Thanks for sharing!